Creativity and its Expression

Painting 1I am focused on creativity and expression and how we tap into a source of inspiration and are driven to express it.

You don’t write papers with titles like Letting Loose the LightThe Next Knowledge Medium, or Toward Portable Ideas if something like this isn’t on your mind.

Or a book titled Breakthrough for that matter.

Singers

This painting by Emily Davis Adams is one of a series of her paintings of Lorraine Hunt Lieberson. Each painting captures an instant, a still frame, from a video of Lieberson singing.

As Emily said in in a note to my wife,

“… her music (voice) has been a great inspiration to me. When she sang this Aria, I felt she was really touching the great unknown, as it were.”

Sketch 1By their nature paintings are visual but silent.

Why do we feel Lieberson’s voice so keenly when we gaze on the painting?

Does it touch a powerful resonance in us of her creativity and expression?

Paradoxically, as you look quietly at  the painting, you can experience the passion of her singing.

What did Adams feel as she saw Lieberson and created this?

Adams’ sense of touching the great unknown is sustained, evident not only in the painting, but also in the small water colors (left) that she did as studies for the series.

Creative Teams

My encounters with creativity have brought me in touch not only with “aha” moments of invention when a big idea comes forth, but also with intense moments in collaborative settings when a team working together creates something that none of them could have done on their own.

Eric Whitacre’s Virtual Choir (above) conveys some of the wonder you can feel when many voices come together in a choir, whether in a real hall or a virtual one with computers intermediating the contributions of the singers.

In our research, we are now thinking now about teams that include both humans and computer partners, as inspired by the CitySight project. These threads of creativity and collaboration come together now in nascent projects of augmented team intelligence.

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An Innovation Arboretum

Alan Kay is famously quoted as saying that “the best way to predict the future is to invent it.” I agree. I believe in the power of the imagination and in purposeful innovation to make a positive difference in the world.

Dance of the Two Questions

Breakthrough bookA few years ago my wife and I looked at how people invent and innovate. We wrote about what we found in our book Breakthrough. In that book we describe the “Dance of the Two Questions.” The questions are “What is possible?” and “What is needed?” These two questions are partners in the dance of creation.  Since then I’ve engaged with others in the lean start-up movement, which has been adding hot new rhythms to this dance.

Imagination is a wonderful asset in addressing difficult problems.   Working hard without imagination can be a slow and frustrating grind. Imagination helps us to see things differently. It can help us to find a path where none was noticed before. Imagination illuminates what is possible.

Imagination by itself, however, is not enough. It takes more than imagination to plant an idea or invention in the world so that it can thrive and make a difference.  Inventions can fail to take root when we create things that nobody needs. There are other failure modes — like lack of patience.  An idea may be too early or too late. We may fail to recruit the help we need.

When Innovation Becomes Urgent

We are in a period where invention and innovation are both necessary and possible. The world is changing rapidly and many things seem out of balance. Someone told me recently that a generation is at risk because it is “addicted to distraction.” Another wise friend remarked that tired organizations often have a culture of “learned helplessness.”

Distraction and helplessness are not new and are not unique to any generation or organization.  They are failures of imagination and innovation. When they dominate in countries, companies or social organizations, they are signals that things are decaying.

For example, a company that finds itself hobbled by changes in the global economy will not turn things around by continuing business as usual. Changing circumstances demand fresh approaches at all levels of organizations. Helplessness and distraction are not effective ways to meet changing circumstances.

Efficient Customer Development

Increasingly I am becoming an evangelist for customer development — for looking and listening harder about what is needed. This approach is an important contribution from the lean start-up movement. (Brant Cooper and Patrick Vlaskovits’ book The Entrepreneur’s Guide to Customer Development is a very readable introduction). Start-ups have extreme challenges because they cannot afford to build a product, only to discover later that it does not satisfy enough customers. Building a product is expensive.

In the context of start-ups, the goal is to rapidly identify a customer (and a value proposition and business model) that works. At its heart, customer development is the same as the dictum from design to “fail early and often.”  If one approach does not work, customer development does a “pivot” to try something else. Just as rapid prototyping is about efficiently creating new kinds of software, the customer development cycle is about efficiently understanding what is needed.

In other situations, other appropriate means need to be found to test whether the product/approach/policy works. The main point is that approaches need to be evaluated and discarded efficiently, mindful of available time and resources. Just as imagination illuminates what is possible, testing the fit of “products” with customers illuminates what is needed. As a case for what is needed becomes clear and compelling, it becomes easier to attract the needed resources and help.

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